Baron Maurice de Rothschild (second from left) pays a visit to the set of The Merry Widow and is welcomed by Maurice Chevalier, Jeanette MacDonald and director Ernst Lubitsch. May, 1934
(via A Certain Cinema)
Baron Maurice de Rothschild (second from left) pays a visit to the set of The Merry Widow and is welcomed by Maurice Chevalier, Jeanette MacDonald and director Ernst Lubitsch. May, 1934
(via A Certain Cinema)
He spoke to himself. There was no one else to speak to. Perhaps, though there had been any one else to speak to, he would have preferred to speak to himself. Speaking to himself he spoke to a man within five years of fifty either way, who had turned grey too soon, like a neglected fire; a man of pondering habit, brooding carriage of the head, and suppressed internal voice; a man with many indications on him of having been much alone.
Gérard Philipe
(via Booksblog)
Billy Joel, «Summer, Highland Falls» (Live, 1977) (by DundeeBhoy2007)
Jane Russell, «Ain’t There Anyone Here For Love» [«Gentlemen Prefer Blondes», Hawks, 1953]
Francesca Bertini in Assunta Spina (Serena, 1915)
London. RPPC postmarked 18th July 1908. (by benicektoo)
The name of the game
(via Vintage Ads)
(via ifwelivethatlong, lucymc)
Edward Hopper, Manhattan Bridge Loop, 1928
The Fountainhead (Vidor, 1949)
(via the Cine-Tourist)
Katharine Hepburn
(via everyday_i_show)
Gloria Swanson
(via everyday_i_show)
Cary Grant stops by the Young Bess set and fawns over Deborah Kerr
(via A Certain Cinema)
